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Investigation Tips |
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Every month we will feature articles from across the world concerning
surveillance and investigation techniques. If you have any tips,
tricks or interesting articles that you would like to share
with our readers, please drop us an
email
Better Video Photography
Video evidence presented by various agencies is in many
different styles, especially for the ever-increasing Personal
Injury Investigations.
I have often carried out investigations second time
around after another agency has had the first shot.
Alarmingly, some of the tapes I have witnessed have
been shocking to the point where I have felt embarrassed
that a member of our profession has actually sent these
in to a solicitor. A recent tape that was reviewed,
opened up with a superb animated introduction to the
‘Agency’ that warranted an Oscar. It was
followed by 12 seconds of terrible film showing a female
putting her handbag into a car, getting into it herself
and driving away. This shot involved ‘violent’
zooming in and out, it was mostly out of focus, the
camera shake was of earthquake proportions and added
to the video was the investigators voice exclaiming,
- ‘Yes, Yes, get in that ******* car…!’
Not very good really, especially when the agency concerned
charged $80.00 per hour.
To this end, if you are watching an individual or premises
for a long period of time to obtain video evidence,
it is imperative that you know your photographic equipment,
its abilities and limitations. A professional photographer
once told me that to use an SLR (stills) camera takes
skill and experience. To use a video camera you only
have to know how to read – the first five pages
of the instruction book! This is true to some extent
but I would like to discuss a number of topics that
should enhance your video technique. |
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| Keep Your Camera Steady
Camera shake is very noticeable when using video, especially
when filming at the top end of your zoom. The way you
hold your camera will greatly affect your picture taking
and make all the difference. The following should assist
in taking a steady film:
Grip the camera firmly with the right hand, thumb positioned
on the button with your forefinger on the zoom control.
The left hand should be placed under the body to steady
it. Held like this, you should be able to remove either
hand and still have a tight grip of the camera.
Stand or sit in a position where you will not sway
about, use a support to lean against, keep your elbows
tucked into your body for support. A monopod or tripod
is a good investment.
Hold your breath or use shallow breathing.
If filming from a vehicle, turn the engine off.
Ensure that your camera has an ‘Anti Shake’
feature.
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Fuzzy Focus?
One of the main problems seen with video evidence has
been the fact that the picture is out of focus. Most camcorders
utilise an ‘auto-focus’ lens but they also
have the facility to be focused manually. Whilst ‘auto-focus’
is okay for the family wedding shot, it can make legal
evidence look very unprofessional.
I would suggest that you use manual focus for the majority
of your filming as you are in total control. An example:-
Quite often you would be filming your subject who is
walking down a street or getting in or out of a vehicle.
You lift your camera up and start recording. A pedestrian
or vehicle passes between you and the subject and what
happens? – the lens now auto focuses on the ‘passer
by’ whilst turning your subject into a fuzzy blob.
Once the obstruction has passed, the camera starts to
refocus on the subject but then locks onto the dead
fly or dirty windscreen and remains there until the
subject has disappeared out of shot forever!
If you are concerned that you will knock the camera
out of focus whilst in manual mode, then place a piece
of sticky tape against the lens focusing ring in order
to stop it from moving. Alternatively, put the camera
onto ‘infinity focus’. This should keep
the whole picture in focus provided that you are not
using the top end of the zoom. |
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Don’t Touch That Zoom!
Another popular pastime seen on videotapes is over use
of the ‘zoom’ control, because it is there,
we feel that we have to use it. Again, it can make very
frustrating viewing to the point of inducing seasickness!
When watching T.V. programmes, take note of the lack of
zoom used by photographers – you will be surprised.
Some camcorders have a magnification of up to x72 in
order to bring the picture closer. This zoom control
is often x20 optical (the lens actually moves) and then
from x20 up to x72 the picture is enhanced ‘digitally’.
Be aware that when the ‘top end’ of this
zoom is used, it can cause the picture to become very
fuzzy and again can look unprofessional. Think to yourself,
- ‘Do I really have to zoom in that close? |
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| What’s That Noise?
Much video evidence does not require sound on the tape
unless voices or certain sounds need to be heard as
part of that evidence. As a rule, I always have a dummy
plug (2.5mm jack plug) pushed into the external microphone
socket. This disables the built in microphone and avoids
recording any unwanted sounds whilst you are filming
such as radio voice procedure, background noises/voices
and even the odd piece of bad language etc. Remember
– your original tape may be played back in open
Court.
I have seen tapes in the past where the investigator
actually adds a running commentary on to the tape whilst
filming. This is a personal preference but be careful
if you are not very fluent and articulate. You can also
trip yourself up if you’re not careful. On one
film, I saw a taxi drive past with only the driver in
it (the subject in his vehicle) only to be told by the
added commentary that ‘the subject driver is now
leaving Cherry Close having picked up another fare..’
Again, something that a smart barrister could use to
discredit you. |
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Don’t Forget to Synchronise…
A very important factor and so much over looked is the
synchronising of the cameras’ clocks. If you are
using two or more cameras on the same investigation, ensure
that all the timers are synchronised (preferably to the
‘pips’). This should be a professional habit
carried out on every morning of the surveillance, it greatly
assists when editing the tapes and more importantly it
does not leave you open to unwanted criticism and cross-examination
by those smart barristers. Spielbergs abound - happy
filming!
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*These arrticles were written for the Australian School of Security
and Investigations by Peter Jenkins of ISS Investigations. Peter
regularly submits articles for the school on surveillance methodology.
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